Bahubali 2 Full Movie | Bahubali box office
Bahubali 2 Full Movie Leaked on Facebook : Since weekday, twenty eight April 2017, some TV anchors are making an attempt to scale back the success of Bahubali 2: The Conclusion (also spelt as Bahubali 2) to a match results of “South Indian film maker defeats Bollywood” narrative. The outrage is over however a Telugu film maker may achieve a Bahubali two once ideally it ought to be screenland with deeper pockets that ought to have created this Rs 450 large integer value project. ignorance of south Indian cinema.
EntertainmentTS SudhirApr, thirty 2017 09:24:36 IST
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Since Friday, 28 April 2017, some TV anchors have been attempting to reduce the success of Bahubali 2: The Conclusion (also spelt as Bahubali 2) to a match result of “South Indian filmmaker defeats Bollywood” narrative. The indignation is over how a Telugu filmmaker could pull off a Bahubali 2 when ideally it should be Bollywood with deeper pockets that should have created this Rs 450 crore worth project.
In fact, in it’s ignorance, perhaps the callous notion that Tamil South India is one homo genous entity, a channel and another channel’s anchor credited Baahubali 2 movie as a Tamil movie that has been dubbed into Telugu. Enough — and justifiably so — for members of Tollywood’s film fraternity to go into a collective sulk. & why not, the film industry produces India’s biggest film project & north of the SS Rajamouli must be from Rajinikanth land.
It betrays a terrible condescending attitude that it should surprise Delhi-based journalists that the south has delivered this lavish visual spectacle. If nothing else, it only perhaps exposes their ignorance of Indian cinema and the fare that comes out of the south.
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A bit of history would have helped. South Indian cinema based in Chennai (then called Madras) has traditionally been at the forefront of high-end cinema technology. From the 1950s, the Madras has been home to some studios like AVM, the Gemini, the Vijayvahini, that ensured the city was the first to embrace the newest movie tool – from 70mm to Dolby sound to special effects — to hit the market.
K Hariharan, an author and professor of Film Studies, points out that Chennai has always been the National Film City which “also made Tamil films”. “Mumbai in contrast, is essentially only a regional Hindi centre, that never diversified into any other language except Marathi, which in any case is the city’s default language,” says Hariharan. The only one reason why Mumbai has been acquired a largest profile is because of the huge size of its audience.
In fact, in the ’60s, even Bengali and Sinhalese remakes of hit Tamil films would be produced in Madras at the studios. In the 1980s and early 190s, worked mostly in Hindi remakes of successful south films.
For the Khan-obsessed non-south India, a reading of Salman’s filmography too would have provided a clue to why the south could do a Bahubali. A majority of Salman’s superhits — from Wanted to Judwaa to Biwi No. 1 to Tere Naam to Ready to Kick to Bodyguard — are remakes of Tamil, Telugu and Malayalam prototypes. Ditto with the other big Bollywood success story, Akshay Kumar. Proof, that in terms of both story telling and using technology to translate ideas on to the big screen, the Peninsula has been many steps ahead.
The problem with most of the north audience is that it consumes south films through badly dubbed movies telecast on SET MAX. That sets the bar really low. Which is perhaps why it thinks the best movie to have come out of south cinema must have been Sooryavansham — given the number of times its Hindi remake, starring Amitabh Bachchan, is telecast on telly.
Malayalam cinema with its brilliant storywriters, directors and actors have always stood out in their choice of subjects and treatment. Yet you have self-proclaimed “number one film critic” called Kamaal R Khan, an uncultured boast, taking a dig at National Award winning actor Mohanlal, calling him Chotta Bheem-like. When taken to the cleaners by Lal fans, he apologises saying he did not know of the thespian’s body of work. The problem is with Bollywood’s unintelligent assumption that it represents Indian cinema and that one can call oneself a student of Indian cinema without studying the likes of Lal, Mammootty, Kamal Haasan, Ilaiyaraaja and Mani Ratnam.
So what do we do? We look for reasons why Bahubali clicked pan-India. And we zero in on Rajamouli’s decision to partner with Karan Johar. The takeaway is that if not for Johar, Rajamouli would not have managed to have ‘Koffee’ with India. This is not to say that Johar’s presence did not add value. If nothing else, it brought to the table a sure level of acceptance that here is a product with that a discerning producer-director UN agency is aware of his craft is associating. I don’t suppose Johar would have place his cash if the show was trash material. therefore the value-add was restricted to delivering a certificate.
It is a lot of to try to to with the angle. AR Rahman, despite what he has achieved for India as well as the honour, is reduced to being known as ‘Mozart of Madras’. we have a tendency to ne’er decision Salman Khan, the Galaxy flats Hero, do we? Vinod Khanna, God bless his soul, is observed as associate Indian actor however Raghuvaran once he died in 2008, failed to even manage ticker house on TV channels. I keep in mind a news editor asking Pine Tree State if he will push for the news to form it to the summary by telling higher-ups that he’s the Amrish Puri of the south.
This is to not say south cinema comes out smelling of roses whenever. faraway from it… the business within the four language states manufacture plenty of nonsense additionally. however the size of Bahubali, Rajamouli’s audacity to dream massive and also the success of the show can have a consequence on filmmakers from this a part of India. That their merchandise may fly if treated the proper approach creatively, assisted by the proper technological tools. and so you’ll be able to even dare to unharness the film on a standard day in Gregorian calendar month, and not anticipate Eid, Diwali or Sankranti.
P.S. His name is Rajamouli. there’s a ‘U’ within the name, that’s not silent. TV journalists would had best to not hyphen the name and build it Raaja Moli.